The final delivery was 4K so the Production Master and all of the tests for the client were delivered in 4K. When rendering the Guide adjustment layer with the color correction applied was ignored and the client ended up with a VFX shot that exactly matched the camera original so no monkeying around with my 126 frames was required to make the FX match the rest of the footage in the scene. I put an adjustment layer as a guide layer with the basic LUT for the movie on the top layer so I could tell what the composite would look like because it's impossible for me to accurately judge anything if I'm looking at log footage, did all my compositing work, rendered the comp to the client's Open EXR sequence specifications. My comps were created from the EXR sequence so everything matched. Just finished a compositing job where the camera original was Log 6K sent to me as an EXR sequence. I always try and work at the native resolution of the project.

Virtual Studio Technology and its acronym VST refer to an interface standard for connecting audio synthesizer and effect plugins to audio editors and hard-disk recording systems. Pre-compose the layer before you run the tracker in Mocha or Do everything in a larger comp and scale it down later. Download free AurallySound Song Master v2.1.02 WiN MOCHA.

Mocha tracker after effects